Barcelona^® Stool

Ludwig Mies van der Rohe  1929

Defining space

As a rising figure of the modernist movement, Ludwig Mies van der Rohe was selected to design the German Pavilion for the 1929 International Exposition in Barcelona.



Through masterful proportioning and planning, Mies created a rhythmic and entirely unprecedented space, which elevated industrial-age materials to a level of elegance and grace. Inside, Mies included chairs and stools conceived as a resting place for the King and Queen of Spain. Determined to create a chair worthy of royalty, Mies is thought to have based the designs, with their signature crisscross frames, on the campaign chairs of Ancient Rome. “I feel that it must be possible to harmonize the old and new in our civilization,” Mies said. 
 


Although the Barcelona Pavilion stood for only seven months, it is recognized as a defining achievement of modern architecture, as are the Barcelona Chair and Stool (although the King and Queen reportedly never sat in them).
 


Mies, a close friend and mentor to Florence Knoll during her time at the Illinois Institute of Technology, formally granted Knoll the production rights to the Barcelona Chair and Stool in 1953. The designs immediately became a signature of the Knoll brand and have been built to Mies van der Rohe’s exacting standards ever since.