Knoll

Designed in 1954 as what Florence Knoll modestly referred to as one of the “fill-in pieces that no one else wants to do,” the Florence Knoll Sofa Collection now stands as a defining example of modern design. Consistent with all of her designs, the Lounge Collection has a spare, geometric profile that reflects the objective perfectionism and rational design approach Florence Knoll learned from her mentor, Mies van der Rohe.

Knoll Florence Collection Sofa Settee Table history

Product story

As head of the Knoll Planning unit, Florence Knoll always approached furniture design with the larger space in mind. Most important to her was how a piece fit into the greater design — the room, the floor, the building. Every element of a Knoll-planned space supported the overall design and complemented the existing architecture.

Never one to compromise, Florence would often design furniture when she, “needed the piece of furniture for a job and it wasn’t there.” And while she never regarded herself as a furniture designer, her quest for harmony of space and consistency of design led her to design several of Knoll’s most iconic pieces—all simple, none plain.

As skyscrapers rose up across America during the post-war boom, Florence Knoll saw it as her job to translate the vocabulary and rationale of the modern exterior to the interior space of the corporate office. Thus, unlike Saarinen and Bertoia, her designs were architectural in foundation, not sculptural. She scaled down the rhythm and details of modern architecture while humanizing them through color and texture. Her lounge collection, designed in 1954, is a perfect example of her restrained, geometric approach to furniture, clearly derived from her favorite mentor, Mies van der Rohe.

Florence Knoll

Trained as an architect, Florence Knoll introduced modern notions of efficiency, space planning, and comprehensive design to the interiors she created. She had a holistic understanding of how everything within a space affects the human experience and paid special attention to scale and proportion in her furniture designs. In 1941 she met Hans Knoll and the pair—armed with Florence’s design skills and Hans’ salesmanship—grew a budding company into an international arbiter of design.

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Additional Info

Construction and Details

Available in a range of KnollTextiles and Spinneybeck® leathers
Leather upholstery has matching buttons
Exposed metal frame and legs in heavy gauge steel with polished or satin chrome finish
Inner frame is solid wood
Seat suspension with No-Sag springs
KnollStudio logo and Florence Knoll’s signature are stamped into the base frame

Notable Differences from Standard Florence Knoll Lounge Collection

Sofa has 4 legs versus 6
Seat and back covering is tufted and covered with polyester fiberfill to enhance comfort
Cushions are not welted
Back Cushions are attached with a zipper and can be removed